Opinion

Rylee McDonal ~ Copy Editor

As we continue to celebrate love day, Feb. 14, I thought we would take a look at some beloved comic book couples.

Cyclops and Jean Grey:

X-Men #30 1994 Cyclops and Jean Grey get married.

Long-term couple, Scott Summer and Jean Grey were on the original line up of the X-Men. 

While they have at times had a rocky relationship, they always manage to find their way back to each other.

The two are so fated to be together that they have a number of offspring and family spread across the multiverse.

Dr. Mike Robinson ~ UL Communication Studies Professor

From its very first moments, the Star Wars Saga made its preoccupation with helmets absolutely clear. Chronologically speaking, the first few moments of Star Wars (1977) are nothing but helmets. 

After an opening narrative crawl and a spectacular special effects sequence of an Imperial Star Destroyer chasing down a Rebel Blockade Runner, we basically watch a bunch of guys in helmets deal with other guys in helmets. Oh sure, C-3PO and R2-D2 are scurrying around delivering a bit of exposition, but it’s mainly rebels in helmets taking up a position to deal with intruders boarding the ship. Since we can see the worry on their faces, we empathize with them, even though we are not sure who any of them are. 

Then, in a scene that will be imitated like crazy throughout science fiction films and shows for decades, a locked door is broken through to reveal a set of new guys in helmets! The Stormtroopers arrive for the first time on screen, guns blazing (and actually hitting a few of their targets). They must be evil because they wear full helmets with built in scowls. 

Dr. Mike ~ UL Communication Studies Professor

Ultimately, the only sane choice for a superhero to make is to date a supervillain.

When you become a superhero, you rarely get training. Most of the important lessons come in the field. Sure, there are organizations that will teach an up and coming superhero. The Avengers could provide outstanding training in your power and teamwork, for example.  Join the X-Men and you will get all of that plus a classic liberal arts education at Xavier’s School. What no organization seems to teach about though is one of the most important superhero topics of all—love. 

Superheroics is a public career.  There are many opportunities to meet potential partners. You may find yourself rescuing people. You will certainly fight crime alongside law enforcement personnel. You will encounter interesting and intelligent people in careers such as science and journalism. Finally, you will even meet some intriguing supervillains. 

Additionally, you will also have your own private life. Your secret identity will bring you the same options for meeting potential romantic partners, thus doubling the opportunities. 

Dr Mike ~ UL Communication Studies Professor

Kaleidoscope is a Netflix series with a different approach. When the viewer first starts the program, Netflix purportedly randomizes the order in which the seven middle episodes of the series are shown. An interesting narrative experiment, Kaleidoscope left me nostalgic for the way television used to be watched. 

The various episodes of the series are named for different colors. Everyone starts with “Black,” a short introduction to the process of the series, and ends with “White.” Just for the record, my viewing order was “Yellow,” “Green,” “Blue,” “Orange,” “Violet,” “Red,” and “Pink.” 

Kaleidoscope is a heist narrative. The events of the series circle around a complicated criminal score that, like all great heist stories before it, hinges on detailed planning and clockwork organization. The opening graphic of each story tells the viewer when the story is set in relation to the heist itself. I want to be particularly careful about spoilers here, but basically episodes set before and after the heist give the viewer glimpses into the origins and motivations of the characters whose lives are woven together over time. The time-jumping effect generates a powerful curiosity in the viewer to see what actually goes down during the robbery itself, keeping the viewer bouncing between asking “how is this going to happen?” and “how did this happen?”. 

Dr Mike ~ UL Communication Studies Professor

On November 10^th, Kevin Conroy passed away after a fight with intestinal cancer. You may not recognize Conroy’s name or his image, but you have heard his voice. For the past three decades, Conroy was the main voice actor to play Batman. To me, Conroy will always be the voice of Batman. 

No disrespect is intended to the many other fine performers who have been a live-action or animated version of Batman. Adam West’s distinctive style, for example, was a key component to the campy success of the 1960s Batman television series. Other actors such as Will Arnett and Diedrich Bader have excellent Batman voices. Michael Keaton has a very serious style. And, of course, Christian Bale has that raspy Bat-voice that was always a bit off to my ears but still fun to imitate. 

Conroy became the Batman voice thanks to his work on Batman: The Animated Series. The series debuted in 1992 and it had kids rushing home from school to catch the next exciting episode (me too, but at the time this kid was in grad school). The show was visually moody and film noirish. It had clever plots and great action. Best of all, it did not talk down to its audience. Every episode was a mini-movie of sorts. 

Conroy’s portrayal of Batman was the glue that held all of this together. His Batman had the deep and serious tones needed to intimidate Gotham City’s criminal element into surrender. Yet, he could also deliver a clever deadpan joke or remark. At times, his Batman could shift from stern leader to a caring, almost parental figure to those in his charge.

Dr Mike ~ UL Communication Studies Professor

Marvel Studios’ decision not to recast another actor into the role of T’Challa in Black Panther: Wakanda Forever was the right one. Chadwick Boseman left an indelible mark on the character and the franchise. Boseman would be difficult for anyone to follow in the role and any attempt to do so would seem like an insult to our memories of Boseman. 

Commercial pressures mean that popular culture must move on though. While we speculate about who the new Black Panther, or Black Panthers, will be, this decision highlights the difference between the way time moves in the Marvel Universe and the Marvel Cinematic Universe. 

In comic books, time has always been a strange thing. Take, for example, Peter Parker, the Amazing Spider-Man. When Peter first appeared, he was fifteen. This year marked the 60^th anniversary of his debut. If comic book time matched real time, Spidey would be 75. He would be well passed retirement age, but knowing him he would probably still be in constant trouble. 

Yet, comic book Spider-Man has aged. When I was born, Peter Parker was already an undergraduate. When I graduated college, Peter was in graduate school. I passed him, getting my graduate degrees before he did. That’s not bragging. I had a lot less supervillains to fight. But now, I’m in my mid-fifties and Peter is in his late twenties. In roughly a half-century, Peter has aged about thirteen years. 

Dr. Mike ~ UL Communication Studies Professor

While we are all anxious to see how the Marvel Cinematic Universe will go about choosing a new Black Panther (or Panthers because there can be more than one), the upcoming film Black Panther: Wakanda Forever will also bring one of the very first Marvel heroes to the big screen—Namor, the Sub-Mariner!

Namor first appeared in the very first superhero comic published by Timely Comics, the company that would become Marvel Comics. Published in 1939, Marvel Comics #1 (August 1939) was an anthology book that introduced some characters who would go on to be legends. By order of appearance, Namor was technically the third hero introduced after the Human Torch (not the one you know from the movies) and the Angel (definitely not the one you know from the X-Men). 

From the very outset, Namor acted with very different motivations. He sought revenge against the surface world that had wronged his submerged civilization. In his debut story, he killed some divers and then set about on more attacks on the world above. 

Even though there was something regal about him, it was hard to see Namor in a purely heroic mold. Later, he attempted to destroy New York City in an epic battle that pitted him against the Human Torch in the crossover fight that would later come to define Marvel’s shared universe. Eventually, Namor realized that the fascist threat was a greater menace, joining in the Nazi punching escapades of heroes like the Human Torch and, of course, Captain America. His super-strength, his ability to breathe underwater, and his uncanny ability to fly using wings on his ankles made Namor into a potent force for good.